Coming of Age. (Click the themes infographic to download.). Teach your students to analyze literature like LitCharts does. Feminism and Gender Roles. Coming of Age.

LitCharts assigns a color and icon to each theme in Rebecca, which you can use to track the themes throughout the work. Marriage "An appalling tragedy […] the papers were full of it of course. Detailed explanations, analysis, and citation info for every important quote on LitCharts. LitCharts assigns a color and icon to each theme in Rebecca, which you can use to track the themes throughout the work. Instant downloads of all 1305 LitChart PDFs (including Life in the Iron Mills). LitCharts Teacher Editions. Place, Imprisonment, and the Gothic. Actually, the opposite of Rebecca (if a person can have an opposite) – you'll see why in a minute. Place, Imprisonment, and the Gothic. Rebecca study guide contains a biography of Daphne Du Maurier, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

Summary Analysis The narrator stands in the library with Maxim, having just learned that he murdered Rebecca. Lulled into a trance-like state by Mrs. Danvers, the narrator is close to committing suicide when she hears the sound of rockets hitting the shore: a ship has run aground at the cove. LitCharts assigns a color and icon to each theme in Rebecca, which you can use to track the themes throughout the work.
Memory. Rebecca Quotes. Rebecca ; Quotes; Study Guide. This woman, our narrator, is dreaming of returning to a place called Manderley, but she and the man she's with can never go back; it holds too many bad memories for them. She was drowned you know, in the bay near Manderley..." (4.93) This is one of the very first things that readers, and Mrs. de Winter, hear about Rebecca's death. The next day, the narrator goes into Rebecca’s bedroom and is surprised by Mrs. Danvers, who gloats over Rebecca’s beautiful clothing and jewelry. Rebecca begins with, well, not Rebecca.
Memory. Feminism and Gender Roles. Coming of Age. Most of the characters in The Crucible are lying—if not to other people, then to themselves. Summary Analysis Max—or Maxim, as the narrator still calls him—and the narrator arrive at Manderley in early May. They say he never talks about it, never mentions her name. Power, Control, and Information . Power, Control, and Information .

Memory. By Daphne du Maurier.

Place, Imprisonment, and the Gothic. Feminism and Gender Roles.

Power, Control, and Information . Rebecca Summary.